慢活 「人出生、結(jié)婚、生活、死亡...，一切顯得如此混亂而急切，仿佛隨時(shí)都可能發(fā)瘋。」~ William Dean Howells，1907 這是「慢活」這本書(shū)序言里的第一句話。從慢食概念延伸而來(lái)的慢活，是一種在充滿速度感的現(xiàn)代社會(huì)里所發(fā)起的減速運(yùn)動(dòng)。它向各種形式的速度崇拜宣戰(zhàn)，抵抗速度的奴役。 甚少曝光住宅案的設(shè)計(jì)師林馬克(Mark Lintott)，為了這個(gè)住宅案，執(zhí)行過(guò)程一共持續(xù)了三年。它的坪數(shù)不大，是臺(tái)灣中南部經(jīng)?？梢郧埔?jiàn)的透天厝型態(tài)，但它卻是一個(gè)不折不扣、由慢工細(xì)活所打造的空間。它展現(xiàn)了質(zhì)重于量的特質(zhì)，進(jìn)而與人、與生活、與工作、與一切建立真實(shí)而有意義的接觸。當(dāng)然最后的結(jié)果也是一種無(wú)須贅言的設(shè)計(jì)體現(xiàn)，甚至是設(shè)計(jì)與施工兩者結(jié)合的完美示范。 對(duì)設(shè)計(jì)師而言，一個(gè)住宅案不就迅速效率的施作完成，讓業(yè)主快快入住，便劃上句點(diǎn)，結(jié)案!究竟是什么原因讓雙方愿意如此費(fèi)時(shí)地將空間的探索，從「形而下」提升至「形而上」，而后，再將一切企圖藉由空間傳達(dá)的概念，精練地訴諸具體形式的再現(xiàn)，再次藉由熟悉的材質(zhì)重新布局。如同「慢活」的概念，這樣的來(lái)回翻轉(zhuǎn)，雖然時(shí)光流逝，卻換來(lái)迥然不同的空間質(zhì)地與層次。 「慢磨」的結(jié)果，讓空間饒富閱讀性，而人們也再次因體驗(yàn)空間本質(zhì)而喚醒深層的感動(dòng)。 林馬克強(qiáng)調(diào)，住宅空間涵概許多極為復(fù)雜的細(xì)節(jié)與機(jī)能，不是設(shè)計(jì)師個(gè)人的表現(xiàn)場(chǎng)域。設(shè)計(jì)者更不能逾越本份而忽略了住宅空間的「主體性」。因此，林馬克一改玩弄燈光與材質(zhì)的表現(xiàn)手法，一切回歸自然真實(shí)的原點(diǎn)，仔細(xì)拿捏使用者需求以及機(jī)能之間的平衡。透過(guò)參與式設(shè)計(jì)、彼此的溝通，設(shè)計(jì)者化身為成就業(yè)主品味的推手，透過(guò)設(shè)計(jì)連結(jié)業(yè)主的生活軌跡，從中給予業(yè)主所要的。 由于業(yè)主是合作過(guò)的工程廠商，也是此案的施工單位，于是，此案便在得天獨(dú)厚的充沛資源條件下，可以從空間角度深化到材質(zhì)肌理的探觸，嚴(yán)謹(jǐn)細(xì)膩的施工、精挑細(xì)選的材料紋理，最后得以成就設(shè)計(jì)本身。只稍在空間中稍許停留，你仿佛能感受到時(shí)間在空間里的流動(dòng)，而思緒更如同杜絕了外界喧擾般的寧?kù)o非常。透過(guò)緩慢，空間找尋到生活的平衡，而你也能以極為舒適放松的自處姿態(tài)、一種更好的生活方式，盡情享受屬于你的生活點(diǎn)滴。采訪」周巽莉 In Praise of Slow “Man born, marry, live and die … everything seems to be in a hurry; crazy is always at the side.”- William Dean Howells, 1907 The above quote is a prologue in “In Praise of Slow”, a book praising the slow rhythm in life that challenges all kind of ideas of speed. Mark Lintott never easily displays his residential designs. This normal sized house design witnessed his devotion and has a tremendous quality of living space design. But it is unthinkable that he has spent three years on it. This house stands in southern Taiwan and is typical of the landscape yet this one is different in both quality and design. Three year's hard work yields not just a structure but an attitude of the quality of life. For Mark and his client, they all appreciate this process of work – from realizing the value of the work to the perfect completion of the design to the careful monitoring of the labor on the construction site. For a typical designer, a design project is just a job that includes budget and time controls and designers are pushed hard to finish the project at the fastest speed. That anyone is willing to spend time to question the idea of design and even look at the value of space is really unthinkable. This project is unique in that both Mark and his client believed that they had to reduce their speed in both thinking and making. Only careful design ideas would enhance quality of design and awake any potential value of the design. Any surface and visible material had to reveal the deepest invisible spirituality. Mark emphasizes that a living space is not a showroom design; it echoes the deepest emotion of its dweller and contains many solutions to intriguing problems from function to detecting their psyche. A residence is a design that should never abandon the essence that links to the idea of “to be dwelled”. Mark's nightclub tactics, famous for style, could not be repeated here so he fixed on solving basic problem of living. Mutual reliance and constant dialogue between the client and himself eventually created a conscious understanding, and this slow process is how the residence takes shape. The client worked with Mark in previously and he even responsible for the construction of his own house. This unprecedented cooperation among designer, builder and client is an advantage assuring a perfect outcome. Well-built with precise detailing is a witness to this successful process. As for the design, its space is an experience of subtle delight, full of nothing but tranquility. It is like a tight chamber rejecting the clamor of the exterior world. Everything seems to be frozen in time and speed, so slow that the fresh body seems to lose momentum but relies only on instinct to live. 設(shè) 計(jì) 者」Mark Lintott 參 與 者」余芳瑋 攝 影 者」Marc Gerrritsen 空間性質(zhì)」私人住宅 坐落位置」臺(tái)南市 面 積」100 坪 設(shè)計(jì)時(shí)間」2003年5月至10月 施工時(shí)間」2004年5月至2006年4月 Designer」Mark Lintott Participant」F. W. Yu Photographer」Marc Gerritsen Category」residence Location」Tainan Material」bamboo floor, paint, mosaic tile, steel Size」100 ping Design period」May–October 2003 Construction period」May 2004–April 2006 |
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