「松江會(huì)館」主要供作廣達(dá)公司上海部門高階主管的招待會(huì)館及宿舍或差旅住宿之用。除了旅館住宿之外，招待會(huì)館所需承載的機(jī)能，包括游泳池、桑拿房、電影院、KTV、餐廳、商店、咖啡廳等多功能娛樂(lè)設(shè)施的使用空間。
當(dāng)初，建筑物在旅館用途的前提下，被設(shè)計(jì)成由一較矮的長(zhǎng)方形量體，結(jié)合一較高的圓形柱體而成。長(zhǎng)方形建筑量體上方，并有4個(gè)大小不等的圓形開口，作為采光之用。設(shè)計(jì)師胡碩峰表示，指出設(shè)計(jì)主軸便是延續(xù)建筑量體的特性，藉由串聯(lián)這些虛空間與開放空間，解決上述諸多使用機(jī)能。
架構(gòu)
若從整體城市規(guī)劃的角度來(lái)看，城市發(fā)展軌跡中所留下的都市節(jié)點(diǎn)，如花園、廣場(chǎng)等，往往與都市發(fā)展結(jié)構(gòu)的連系性緊密呼應(yīng)，同時(shí)，也是凝聚周圍建筑群的焦點(diǎn)所在，一如巴黎或者其他歷史文化悠久的城鎮(zhèn)。
針對(duì)此規(guī)劃案必須承載的機(jī)能復(fù)雜性，將其類比為一座縮小的城市，運(yùn)用擅長(zhǎng)的都市規(guī)劃思考來(lái)建構(gòu)此案的空間框架以及整體平面配置的依據(jù)。透過(guò)都市規(guī)劃的角度，在建筑內(nèi)部置入適當(dāng)軸線與既有建筑的紋理(如開出的采光罩)產(chǎn)生呼應(yīng)，當(dāng)人們沿著在規(guī)劃的軸線上前進(jìn)，通過(guò)分散于建筑量體內(nèi)的這些節(jié)點(diǎn)，得以進(jìn)入不同性質(zhì)的空間。不僅解釋了這個(gè)猶如微型城市的空間架構(gòu)，同時(shí)也巧妙界定出公領(lǐng)域與私領(lǐng)域之間的微妙關(guān)系。
節(jié)點(diǎn)
從入口開始，藉由主軸線的引導(dǎo)開始鋪陳整個(gè)建筑內(nèi)的敘述架構(gòu)，主軸線的通道立面以垂直線的切割掌握著行進(jìn)間的節(jié)奏律動(dòng)，將兩個(gè)巨型的建筑量體連結(jié)起來(lái)。利用原本?有的采光罩位置作出不同的轉(zhuǎn)換空間，賦予節(jié)點(diǎn)的意義，凝聚出周圍空間。
當(dāng)人們自入口沿著律動(dòng)的軸線向前，將來(lái)到第一個(gè)節(jié)點(diǎn)，這是餐飲空間的轉(zhuǎn)換地，并可吸納、轉(zhuǎn)換眾多的用餐人口，同時(shí)也暗示著交誼聚會(huì)的場(chǎng)所所在性。到了第二個(gè)節(jié)點(diǎn)，則進(jìn)入旅館的接待區(qū)，統(tǒng)轄整間宿舍的進(jìn)出，以一個(gè)更具隱私、靜謐的場(chǎng)域，連結(jié)戶外中庭的自然造景，作為室內(nèi)與環(huán)境的對(duì)話。由這個(gè)節(jié)點(diǎn)向右延伸出另一垂直軸線，串聯(lián)另外兩個(gè)小節(jié)點(diǎn)，分別引導(dǎo)通往電影院、KTV的娛樂(lè)空間，以及桑拿、健身房、游泳池等運(yùn)動(dòng)空間。
城市規(guī)劃經(jīng)由每一節(jié)點(diǎn)所創(chuàng)造的內(nèi)聚性包被空間，進(jìn)而在微型城市的架構(gòu)中，再現(xiàn)如都市紋理、生活空間、建筑、街道等空間經(jīng)驗(yàn)的豐富性，讓人們即使在室內(nèi)，也能透過(guò)不同的轉(zhuǎn)換空間(節(jié)點(diǎn))，重新經(jīng)驗(yàn)空間的驚奇與發(fā)現(xiàn)，借此再現(xiàn)人們對(duì)場(chǎng)所精神的價(jià)值與認(rèn)同。
采訪」周巽莉
QSMC Hotel & Club
“Sun-Zien Guest House” is a guest house for QSMC’s high-ranking officers who are temporarily lodged here or for entertaining company guests. It is built not only as a lodging facility but also as a complex of relaxation which includes facilities such as swimming pool, sauna rooms, theater, KTV, restaurant, shopping and coffee shops.
Layout:
The whole building complex can be seen as an analog of the living city in miniature that has similar streets, plazas and gardens. The development of a city always leaves historical traces that hold the collective memory of those who dwell within. As a same layout, the whole structure is formed and built; it has some streets then the building fabric is inserted around them. As one walks along the ‘street’ one will eventually confront a plaza this is a pivot point which makes clear the orientation. From it one is about to enter another zone from the previous one. This precise street pattern marks a clear distinction of the spatial domain defined by the spatial hierarchical order.
Nexus
From the entrance, one is directly guided by a “main street”, framed by spaces divided according to a harmonious fa?ade rhythm. This axis links two main spatial domains. Skylights appear in nexus point where the two ‘streets” meet and give a hint of spatial transformation. The perimeter of the nexus ( plaza) clearly fosters an enclosure defining a place for gathering.
The first nexus is a food court; with its spaciousness, one will comfortably enjoy food without the usual congestion and noise. This is also a location for gathering and occasions such the company’s internal party. The second nexus following the main street end in a plaza, which serves as the guest house reception. This more secluded and tranquil space acts as a control point for guests but also as a transition to a courtyard where one can linger and quietly contemplate a garden. An annexed path forking off from the reception leads quests to other minor courts. One stretches to the movie theater and KTV while the other is linked to the swimming pool, gym and sauna rooms.
The guest house is a miniature city where the city experience is recreated as if one still lives in a city fully loaded with facilities to satisfy everyone’s needs. Street, plaza, zone, and boundary, derived from the “city images” posited by Kevin Lynch in 1960’s interpolate themselves into the plan that is eventually realized in this unique facility.
Designer」Shui-Fun Hu / Big Wall Design Inc.
Participants」Jerry Ko, Alex Lee, Liwen Wang, Chau-Chen Lin, Pei-Chen Hsieh
Builder」Shen-Chi Architectural Deco Inc. ( Shanghai )
Participants」Yun-Ho Lee, Zien Fun Shui, Sie-Hei Chen, Pei-Kan Chiang, Sien-Kan Zu
Photographer」Steve Mok
Category」 Corporation Guest House
Location」Sun-Zien Industry Park, Shanghai
Materials」stone, granite, compressed wood, painted aluminum plate, light box printout, wall fabric
Size: Club」8000 msq; Guest House: 14000 msq
Design period」 May – October, 2004
Construction period」September 2004 – June 2005
